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by Willie Waffle

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Smokin' Aces

Smokin’ Aces could have been a super cool Martin Scorsese movie, but in the hands of writer/director Joe Carnahan, it just stinks. 

Jeremy Piven stars as Buddy “Aces” Israel – a big time Vegas performer, who got mobbed up and too big for his britches.  As he rose up the mafia ladder, Aces ran afoul of the Vegas godfather, Primo Sparazza (Joseph Ruskin), and decided to become a government informant, when the heat got to be too much for him. 

Now, FBI agents Donald Carruthers (Ray Liotta) and Richard Messner (Ryan Reynolds) are on their way to Israel’s secret hideout in the high roller’s suite at a Lake Tahoe casino and hotel, while Buddy’s lawyer hammers out the final plea bargain arrangement, so he can enter the FBI Witness Protection Program.  However, a $1 million price is on Buddy’s head, and every high paid mercenary and assassin is heading to Tahoe to collect.

Will any of the assassins be successful?  Will Buddy’s testimony destroy the mob?

Smokin’ Aces has a great deal of potential, but it feels like Carnahan is stuffing in everything he ever learned about making and writing a movie, which weighs down film to the point where the audience has to wonder why they have stuck around this long.  Like this week’s Catch and Release, the movie has too many characters, too many subplots (most of which just don’t matter), as well as complication for complication’s sake instead of using it to make the movie more interesting and full of tension.  Most of all, Carnahan is filling out a sparse script with junk. 

Because of al of this, the tone of Smokin’ Aces is all over the place.  Israel’s scenes are beyond melodramatic.  Some of the assassins are overly silly to the point of being worse than a joke, like The Tremors, who look like they stepped out of a Mad Max parody, and feel like a lame attempt to replicate Tarantino-esque characters like the Crazy 88’s.  Another subplot involving a bail bondsman, Jack Dupree (Ben Affleck), a couple ex-cops and the freaky Rip Reed (Jason Bateman) has one hilarious scene, but is ultimately pointless. 

Worse than all of that, what could be a good, hardboiled, Scorsese-type gritty movie about the underworld with all sorts of twists and turns that make you wonder who can be trusted, who is dangerous enough to complete the job and more, devolves into a massive orgy of pointless violence, with an absurd ending.  It’s as if Carnahan gives up as the silliness and over-the-top feel of the film ruins any chance of the audience taking it serious.

Some of the actors like Reynolds, Liotta, and Piven do a good job with second rate material, but they can’t save a movie that goes in the wrong direction too often.

1 Waffle (Out Of 4)

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