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by Willie Waffle

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Catch and Release

When people heard Jennifer Garner was mourning the death of her fiancée, cheers broke out and resounding calls of Halleluiah filled movie theaters everywhere, but it’s all a false alarm.  It’s just a movie, and Ben Affleck is still alive. 

Garner stars as Gray – a Boulder, CO lady mourning the sudden death of her fiancée, just days before the wedding.  Now, as she serves as the executrix of his estate, tries to get her life back on track, and moves in with his friends – Sam (Kevin Smith), Dennis (Sam Jaeger) and Fritz (Timothy “The guy who looks like a manlier version Ryan Seacrest” Olyphant) - Gray has come across some strange bank accounts and payments, while also growing closer to Fritz than she ever imagined. 

Where was the money going?  Is it true love between Fritz and Gray?  How come Gray doesn’t have any female friends?

The problems with Catch and Release can be summed up in two scenes.  In one, Gray doesn’t want to give back her engagement ring to her dead fiancée’s family, even though it is a family heirloom, because she doesn’t want to forget the love of her life (how sweet and moving). 

In another scene, just a few weeks after Gray’s passionate, women-across-the-world-unite plea to hold onto the ring as a symbol of the love she never wants to forget, her dead fiancée’s best friend Fritz (a man she absolutely hated at the funeral as he snuck away to have a quickie, and lit up a doobie afterwards), is sliding her panties off as they get ready to do the horizontal mambo (not so sweet, was she still wearing the ring?).  It all makes me hope that if I ever get engaged, then die a horrible death, my fiancée will want to wait a bit longer than a month before she does the dirty deed with another guy.       

Catch and Release suffers from trying to be too many things to too many audiences and tastes.  The tone of the movie is all over the place, and subplots seem strained as writer/director Susannah Grant attempts to make the movie into a comedy, and a drama about loss and mourning, and a buddy movie, and a love story and a bit of a mystery.  Too much! 

These competing scenes and tones destroy any chance Catch and Release has to become a coherent movie (which leads to situations like the one I explained above).  I know Grant wants to show us how diverse and complex all of the characters and feelings can be in this situation, but the extreme contrasts in this movie hurt any chance for the audience to connect with the characters. Even within scenes, Grant has the actors leaping from sadness to a quick joke and back to sadness, which jerks them around as much as it jerks the audience.

Smith is fine as he attempts to make Sam into Vince Vaughn (funny Vince Vaughn from The Wedding Crashers, not angry Vince Vaughn from The Break Up), but his serious scenes always come out of nowhere, often stopping a funny moment in its tracks, then Grant tries to use some comic relief to get his character back on track, but the moment is destroyed.   

Garner makes the most of her character’s mournful moments, but truly needs more space to work in.  She’s stuck pouting through most of the movie, instead of winning us over slowly, but surely.  Then, suddenly, Gray emotionally is ready to jump into the sack with another guy, who is not exactly a good catch (she should probably throw him back in the ocean).  Garner has enough charm to win us over at times, and make us feel bad for her situation as it develops, but needs more time to show the character growing and regaining her strength.    

Olyphant gets by as Fritz, but isn’t given enough material or screen time to develop his character past the obvious bad boy with a golden heart cliché.  However, it’s Jaeger who plays a waste-of-time character with a couple silly subplots that might make for interesting movies on their own, but just get in the way during Catch and Release.  Maybe Grant purposely put those in as bathroom break moments.

Catch and Release seems to be three or four different movies in one, but the whole does not equal the sum of all parts. 

1 Waffle (Out Of 4)

Catch and Release is rated PG-13 for some sexual content, language, some drug use. 

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