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by Willie Waffle

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The Holiday

After such a horrible run of dreadful, I-want-to-poke-my-eyes-out-to-
stop-the-pain holiday movies (Deck the Halls, The Santa Clause 3 and Unaccompanied Minors), 
The Holiday practically looks like the Citizen Kane of Christmas tales.    

Kate Winslet stars as Iris – a writer at London’s Daily Telegraph, who is in love with a co-worker who takes advantage of her, and stunningly announces his engagement to another co-worker at the company holiday party (Ouch!  Pass the spiked egg nog after that nugget is revealed).  Devastated, Iris puts her house up for swap, so she can get away from everything for a few weeks. 

At the same time, Amanda (Cameron Diaz) is breaking up with her cheating boyfriend in Los Angeles, and wants to get away from her high pressure job of editing movie trailers for Hollywood blockbusters.  She sees Iris’s house listed on the internet, responds to the ad, and, before you can say bah humbug, the two are off on separate Christmas adventures that they never could have seen coming (unless they go to the movies, and realize stuff like this ALWAYS happens at Christmas.  The mail man brings all of the letters to court, an angel gets his wings, Tim Allen puts on the Santa suit, Rudolph’s nose lights so bright he can guide the sleigh tonight, you know the list of Christmas Miracles).

Will each find new love, new hope and new lives in their new, temporary towns?  What happens when it is time to go home?  

Writer/director Nancy Meyers delivers a movie that is cute enough, especially for the heavy holiday movie season, but could have used a bit more focus on the interesting portions of the film.  She seems overly obsessed with Amanda’s whirlwind romance in England with Graham (Jude Law). While it is the more typical story between two beautiful people, it’s also the least interesting.  Rather than “meeting cute”, the two seem to come together because they are both in heat.  They have the kind of angst only pretty people in movies have to suffer through, and, Meyers has to try to make the two fall in love to justify having the two jump into the sack so quickly, lest we miss out on the “romance” in romantic comedy.  Meanwhile, Winslet and Jack Black don’t get the screen time they deserve.

It takes much too long for Iris and Miles (Black’s character) to light the fire of love and let its flames devour them.  Meyers sticks Winslet with a sweet, but pointless, story about how she gets to know Amanda’s amazing, elderly next door neighbor, but, other than making Iris look like the second coming of Mother Theresa (and adding about 30 minutes to a movie that should be shorter than it is), it’s out of place and doesn’t add anything to the proceedings.  Of course, that’s a shame because Black and Winslet have a sweet, quirky chemistry that is fun to watch because they are real and much more endearing to the audience.

Also, Meyers, in an attempt to be all cute and Hollywood insider-like, comes up with a gag that has Amanda seeing and hearing her life as if it was a movie trailer (complete with the movie trailer guy doing the narration).  It never seems to be very insightful or funny, especially after Meyers comes up with a much more hilarious fictional trailer that Amanda is working on for a Hollywood blockbuster with major stars.  I think all of us would have rather have seen more of those.    

However, when all is said and done, The Holiday is sweet in the right places, funny when it needs to be, and comes off better than it might be because it takes advantage of our spirit at this time of year.  We want the cute, sappy ending, and you get the feeling The Holiday is more than willing to deliver.

Black gets off to a rough, stiff start to his role, but finds his footing and turns Miles into the sweetest and funniest part of the movie, giving us the right amounts of goofy and sad.  Winslet is a treat and a wonder to watch as she, much like Black, is the stumbling, bumbling everywoman.  She fills Iris with a good heart, so the audience wants to root for her and take her into our arms when the chips are down (and, for the record, I am willing to take her into my arms when the chips are up, down or sideways).  

Meanwhile, Diaz and Law make the best of their characters, who aren’t nearly as dazzling.  Diaz, stuck throughout most of the early movie doing a bad Lucille Ball slapstick impression that feels forced and overdone, overcomes that adversity to find some part of Amanda that is likable, even though Meyers makes Amanda into the most annoying of the four characters.  Law does this too as his character becomes more human and less movie-time-party-boy as The Holiday unfolds. 

The Holiday is a decent enough date movie, or a nice chance to get away from the hustle and bustle of the season when you just want an easy laugh. 

2 ½ Waffles (Out Of 4)

Copyright 2006 - WaffleMovies.com

The Holiday is rated PG-13 for sexual content and some strong language. 

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