Back Shelf Beauties
by Willie Waffle

We Own The Night 

Joaquin Phoenix stars as Bobby Green – a shady nightclub manager in Brooklyn, circa 1988.  He has grown close to the local Russian Mafia family, but it is his own true family that causes him concern.  Although no one knows it, Bobby’s father is a legendary New York City police chief, Burt Grusinsky (Robert Duvall), and his brother is a decorated police captain,  Joseph Grusinsky (Mark “Oscar Nominee Marky Mark” Wahlberg).  Joe has been put in charge of a special unit to combat the drug trade in New York, and they have decided to target Bobby’s club as the first place to start arresting the bad guys.   

When given the chance, will Bobby pick his family and the law, or his new family and life in the fast lane?

We Own The Night is a good idea executed badly.  The movie starts out all full of promise as we see the different worlds Bobby drifts between and get a sense of the true conflict between him and his brother.  However, writer/director James Gray doesn’t draw out Bobby’s ethical and moral challenge long enough to be dramatic or shocking enough.  It is dropped too soon, which leaves We Own The Night to be an aimless, predictable, melodramatic soap opera.        

Gray converts the movie into more of a family drama, while throwing in some police drama.  This leads to a very basic and straightforward film without a great deal of detail about how the family fell apart, showing them at each other’s throat more, giving us a sense of betrayal each feels about the other, and describing how Bobby descended into a life of lawlessness after being raised in a cop family. 

Worse yet, We Own The Night gets sillier and sillier as we move down the quality scale from great to passable to predictable to unbelievable twists that just never would happen.  Also, Gray over directs the movie.  He goes for the slow motion and elimination of sound tricks too often and makes me feel like he was going for scenes instead of telling the story.    

While We Own The Night is a movie spiraling downward, you can’t blame the acting.  Phoenix tries like crazy to make us care about Bobby even when the material isn’t there, but you have to love the interaction between him and Wahlberg, which provides the movie’s best moments, and we needed more of these to make We Own The Night exciting.     

1 ½ Waffles (Out of 4)

We Own The Night is rated R for strong violence, drug material, language, some sexual content and brief nudity. 

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