Back Shelf Beauties
by Willie Waffle
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The Passion Of The
Christ
About 2 years ago, when Mel Gibson announced that he was going to make a
movie about the last 12 hours of Jesus Christ's life on Earth, most people
didn't believe it, and some even laughed. A full-length motion picture, made
in the ancient Aramaic language with NO subtitles, and individually financed
by Gibson, seemed like a disaster in the making. More than one person, myself
among them, thought Gibson had gone off the deep end and was committing
professional suicide by dedicating so much of himself and his finances to
an art project. Little did we know that The Passion
Of The Christ would become one of the most talked about films
in recent history. Now, after seeing it, I can tell you that it is a very
good one at that. Thankfully, Gibson inserted some subtitles so we could
follow along.
Using the biblical Gospels of Matthew, Mark, Luke and John, as well as the
teachings of controversial Saint Anne Catherine Emmerich, Gibson takes the
audience on a journey to watch the capture, beating, crucifixion and resurrection
of Jesus Christ as played by Jim Caviezel. Along the way, we see some of
the basic teachings of Christian faith including Pontius Pilate's (Hristo
Naumov Shopov) condemnation of Christ, the Last Supper and Palm Sunday, along
with a more personal look at Mary's (Maia Morgenstern) reaction to the horror
happening to her son, and the pain experienced by Mary Magdalene (Monica
Bellucci). The movie's most touching and powerful scenes come from these
personal stories.
The scenes between Mary and Jesus are movingly filmed by Gibson and
heartbreakingly acted by Morgenstern and Caviezel, especially the moment
when Mary rushes to Jesus's side as he tries to carry the cross through
Jerusalem. It is one of the best sequences I have seen in a few years.
Morgenstern is able to show Mary's stoicism in the face of tragedy, which
eventually yields to heartache as she watches her son go through the ordeal,
while Caviezel puts in an amazing physical and emotional performance as a
man destined to die, but embracing it for a higher cause. His portrayal of
Jesus in the final moments, begging God to forgive everyone, is as powerful
as it gets. Together, Morgenstern and Caviezel relate to each other without
a great deal of dialogue, letting the situation and images of what is happening
on screen overpower the audience, which is exactly the way Gibson wants it.
When Gibson was making The Passion Of The
Christ, he never intended to use subtitles, so every scene is
made with utmost importance placed on physical action on the screen, the
music playing in the background, sounds of the crowd and the way characters
interact with each other. It's like a ballet where physical movements are
used to show pain, heartache, evil and suffering. He tries to contrast images
such as Christ's arrival in Jerusalem as a hero on Palm Sunday versus his
condemnation and march to crucifixion on Good Friday, just 5 days later.
Even the film's brutal violence goes to creating powerful images to tell
the story and make the audience feel that Christ's sacrifice is a painful
and stunning one.
Ultimately, just about everyone I know wants to see the film to judge if
it is anti-Semitic or will inflame anti-Semitic views. The charge is based
on several factors. First, in earlier versions of the film, Gibson included
a very controversial scene where a Jewish high priest, Caiphas, states that
Jesus's blood will be on the Jews' hands and the hands of their children.
This quote only appears in one of the Gospels (Matthew), so it was a surprise
that Gibson would want to include it in The Passion
Of The Christ. In the final version of the film, which I saw and
will be playing in theaters, this statement is not translated in the subtitles,
but it is still spoken in the movie at a lower volume. If you can speak Aramaic,
I guess you could pick it out, but I can't, so I only know that it appears
as Caiphas is leaving the scene of the crucifixion because that is what I
have learned through other media reports.
Second, some argue that Jews are portrayed in the movie as a rabid, bloodthirsty
mob that can only be satiated by Christ's crucifixion. However, I think that
is looking at the movie too broadly. Even Gibson, as the co-writer, fuels
this criticism by having Pontius Pilate state to Jesus that, "your own people,
the Jews, have put you up to me for death." In my opinion, throughout the
movie, it's hard to tell who in the crowd is Jewish and not, while several
Jewish characters in the movie defend Christ and try to help him. You can
count many more horrible acts by the Romans in this film, which adds to Gibson's
vision that many people had a hand in the crucifixion. I'll even go so far
as to argue that Gibson wants us to consider the influence of Satan on the
crowd, possibly clouding judgment and inflaming passion. Satan (Rosalinda
Celentano) appears in the crowd at key moments, and only after Satan has
returned to Hell do people seem to realize what has happened.
Finally, Gibson does not lay out all of the reasons why this group of Jewish
religious leaders is calling for Christ's crucifixion, which is one of the
film's faults. While Gibson flashes back to The Last Supper and Palm Sunday,
he does not explain what has happened in the days leading up to the crucifixion.
While several characters state that Christ has claimed to be the Messiah
and that he will, "tear down the temple and rebuild it in three days," there
seems to be more at work in this situation, and I wish Gibson took an extra
15 - 20 minutes to show this. Maybe he would have been well served to start
the movie on Palm Sunday with Christ's triumphant arrival in Jerusalem, then
taken us through the final week. This would give the film more substance
and basis for those who don't know what happened.
The Passion Of The Christ is one of those
movies that you need to see for yourself. I can understand why Jewish people
would be worried about this film being twisted by Anti-Semites to somehow
justify their hate, especially because it has been done before with this
story. However, we cannot let the misguided, hate-filled people get away
with that. Someone full of hate will always try to twist things around to
justify that wrongheaded thought, but we can't let fear steer us away from
movies or art or speech because of how bad people will misuse it. I am glad
to see that Jewish leaders are actively educating the public about this movie,
and I hope many Christian leaders will join in this effort.
I think The Passion Of The Christ is
a very good movie, and one that proves that Mel Gibson is one of the finest
filmmakers working today. After seeing his interview with Diane Sawyer, I
don't think he will ever act again, but I'm sure he will continue to make
stunning films.
3 ½ Waffles (Out of 4)
Copyright 2004 - WaffleMovies.com
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