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Back Shelf Beauties
by Willie Waffle

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The Lookout

Joseph Gordon-Levitt stars as Chris Pratt – a former golden boy town hero who lost it all in a horrible accident.  Now, he has diminished mental capabilities, works as the night janitor in a small Kansas bank, is pitied by those around him and lives haunted by the pain he caused.  Alienated from his family, Chris’s only real pals in the world are his blind roommate, Lewis (Jeff Daniels), and the small town deputy, Ted (Sergio Di Zio), who brings him doughnuts each night.  One night, Chris goes to a local bar hoping to meet a lady, but ends up befriending Gary (Matthew Goode).  Soon, Chris becomes part of Gary’s strange circle of friends, forms a relationship with Luvlee (Isla Fisher), and discovers the gang is planning to rob his bank.

Will Chris agree to be the lookout? 

The Lookout has all the right elements of tension, story, a little comic relief, and solid acting that makes it one of those movies you will tell your friends to see.  Writer/director Scott Frank fills the movie with its natural element of danger, has action happening in just the right ratio with storytelling, and knows when to end the movie instead of adding several unnecessary scenes.  Quite to the contrary and much to my relief, The Lookout has an excellent resolution that is believable and fits the movie perfectly.

The Lookout only suffers from a small lack of details.  Frank makes the audience assume a bit too much about the criminals, like they know a great deal about Chris, but we don’t really understand how they picked up such information.  They have an elaborate plan to rob the bank, but we only get a smidgen of insight into their knowledge of the target, how they plan to carry out the heist, and the backgrounds that make them qualified bank robbers.  We see the gang on stakeouts picking up information, but they have such detailed info and such a depth of knowledge about everything that the audience needs a bit more explanation about how it is all obtained by sitting in a car looking at the bank.    

Frank’s script does excel in creating interesting characters, which gives the acting ensemble a chance to wow us.  He gives us insight into Chris’s pain and desire to be somebody special like he used to be, and the frustration he feels with his situation, which gives Gordon-Levitt plenty of opportunities to connect with an audience that will pity his plight.  Then, Frank gives Daniels a chance to play the wisecracking, but also wise, best friend who steals every scene in which he appears with a playfulness that is welcome, while also voicing the audience’s concerns at different stages of the movie.  You’ll also admire Goode, best known for playing nice guys in Match Point and Chasing Liberty, as he gets mean and nasty as the gang’s tough guy leader with one of the best villain voices you will hear all year long.

The Lookout may not be a classic movie that will live forever in the annals of movie making, but you won’t be disappointed if you see it in the Cineplex, on DVD or on late night cable.  Maybe that will make it a Back Shelf Beauty.   

3 Waffles (Out Of 4)   

The Lookout is rated R for some violence, some sexual content and language. 

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