Back Shelf Beauties
by Willie Waffle
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Jarhead
Some may be hoping Jarhead is some sort
of expose and possible indictment of the War in Iraq or Desert Storm, or
some statement how our soldiers are badly mistreated, but they're barking
up the wrong tree. Jarhead is a personal
story about one Marine that helps give us insight into a world most of us
will never experience.
Based on the 2003 book by former Marine Anthony Swofford, Jake Gyllenhaal
stars as Swofford - a young, enlisted Marine training and serving his tour
of duty from 1989 through the end of Operation Desert Storm. Along the way,
we get to know his tougher than nails platoon leader, Staff Sergeant Sykes
(Jamie Foxx); mentor, Troy (Peter Sarsgaard); and the wacky motley crew of
fellow Marines who play together, drink together and fight together. As Swofford
spends months waiting in the desert, the time starts to take its toll, and
he seems to be on the brink of a mental breakdown.
Will the platoon be able to perform when it's time? Will they go crazy in
the desert before they get the chance? Can Swofford keep it together?
Writer William Broyles, Jr. and Director Sam Mendes use
Jarhead to focus on one man's experiences
while in the Marines - the training he went through, the friendships forged,
the frustration of waiting for the action to begin, and the desire to act
after being riled up for years to be ready to unleash hell at this one moment.
We are focused on how this boy is trained to become a fighting machine, and
what happens when he's held back as it comes time to act. In that sense,
Jarhead is a movie that shares more in
common with MASH or
Three Kings than
Fahrenheit 9/11, and finds ways to equally
move us to tears and make us laugh.
Many of the scenes and incidents in
Jarhead will feel very familiar to anyone
who has ever seen a war movie or known someone in the military. The guys
worry about their wives and girlfriends staying faithful. Basic training
is arduous. It's scary to be sitting in the desert waiting for the enemy
to come across the border and start bombing you with nerve gas. However,
Broyles and Mendes present it all vividly with great characters, so we don't
feel like we're watching some cliché filled movie. The audience is
taken on the journey with Swofford, Troy and Sykes, while learning about
their motivations and lives.
Throughout Jarhead, Mendes amazingly
captures the tedium, emptiness and boredom of the time the Marines spend
in the desert waiting for the inevitable war to start as if you are there
with these guys. You can feel the heat of the sun thanks to cinematographer
Roger Deakins (I started to sweat, it's a good thing I had some ice cream
to keep me cool), the underlying tensions between the characters thanks to
Mendes, and how Swofford and crew are trying to deal with it all thanks to
Broyles. Mendes and Broyles want us to understand the mental makeup of the
men, and how they have been trained to kill, how they feel it is their solemn
duty on this earth to do so when commanded, and the way this motivation has
been drilled into them from training camp to the speeches they hear when
the land in the Saudi Arabian desert, but
Jarhead doesn't play like a John Wayne
movie. This build up by Broyles and Mendes sets up a wonderfully heartbreaking
scenario for men who feel their time has come, but might not get the chance
to do their duty and brings harsh realities of war to life as they walk through
the desert and meet adversity head on. All of this is brilliantly brought
to the screen by Sarsgaard and Gyllenhaal (forever known to me as the Double
A boys).
Gyllenhaal, with his baby blue eyes and boyish looks, is a perfect choice
to play Swofford. Thankfully, he also has the ability to transform himself
each step along the way. He makes Swofford harder and colder as the movie
plays out, and makes the mental anguish the character experiences come to
life in a serious and shocking way without going overboard. While the story
drifts away from this plot about his sanity, Gyllenhaal regroups and focuses
well on his character's need to be the rock. Sarsgaard doesn't have much
to do in the film, and almost felt like he was out of place until Troy's
huge climactic scene, where Sarsgaard shows us the pain and betrayal the
character feels. That one scene is why he was given the role, and he excels.
The humor makes us relate the guys, while the drama will blow you away.
Jarhead is a very moving and captivating
film.
3 ½ Waffles (Out Of 4)
Copyright 2005 - WaffleMovies.com
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