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by Willie Waffle

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Hollywoodland

It’s OK to admit it.  I know you laughed a little bit when you heard Ben Affleck had a new movie coming out.  You probably rolled your eyes, might have gotten scared or had Gigli flashbacks that brought on post-traumatic stress disorder.  However, Hollywoodland is his comeback vehicle, and one you’ll want to ride along with.         

In a fictional story based on real events, Adrian Brody stars as private investigator Louis Simo – a divorced Dad scraping by on questionable cases in the sleazy part of Hollywood in 1959.  He used to work for a top notch agency, but scandal destroyed his career, until the mystery of a lifetime is dropped in his lap.  On the night of June 16, 1959, famed Superman television star George Reeves (Ben “Comeback Actor of the Year” Affleck) commits suicide, but his mother, Helen Bessolo (Lois Smith), is not so sure it was suicide.  Simo figures he’ll make a few dollars with a cursory investigation, but soon gets wrapped up in the intrigue of Reeves’ life, and the huge questions surrounding his death. 

Did the beloved TV star commit suicide?  Who would have the motive and means to kill him?

Director Allen Coulter has delivered a fantastic, mysterious story that excites your intellect, and wraps you up emotionally as you watch each possible scenario play out and try to decide what happened on that fateful night.  Coulter brings you the feel of old time Hollywood along with the tension of a classic film noir where danger is around every corner, and our hero has more flaws than a cheap cubic zirconia.  He has done an amazing job that I hope will not be lost as audiences marvel at the acting performances  in  Hollywoodland.

I can’t believe I am saying this, but Affleck has revived his career with a brilliant performance that should be counted among the best of the year.  He will amaze you as he shows us Reeves’ deep regret and pain over becoming a comic book hero, when he always wanted to be a leading man like Clark Gable or Cary Grant.  You’ll be swept away in the look of sadness in his eyes as he realizes Superman will consume his career, gasp as he dies a little death every time he looks at himself in the mirror and lets out an exasperated and defeated breath, feel remorse as his shoulders slump out of sadness and pity the bravado he uses to cover up his embarrassment.  He is so good, Affleck overshadows Diane Lane and Brody, who are no slouches in the acting department.   

Lane is wonderful as the sexy and desperate Toni Mannix – wife of powerful studio chief Eddie Mannix (Bob Hoskins), who is having an affair with Reeves.  We see life in her eyes as she fools around with the younger actor, and Lane knows just how to switch from being the happy girl in love to the commanding, demanding and in charge woman who knows her lover is a kept man who should appreciate what he is getting.  Then, Brody runs the full gamut of emotions in each part of his character’s life – tender with his kid, uncomfortable with his estranged ex-wife, upset about his failing career, and obsessive in the way he has wrapped himself up in a mystery bigger than he could ever be.  He creates a character much tougher than you might think he has in him, and as complex as you know the actor can be.   

Another amazing aspect of Hollywoodland is the way real events and facts are dealt with.  The movie has a great deal of basis in reality as the actual Helen Bessolo did hire a lawyer and investigator to get to the bottom of Reeves’ death and the mystery around what happened that evening at the house (questions kept alive for years by actor Jack Larson, who played Jimmy Olson on the TV show).  Toni Mannix carried on a very public affair for almost a decade with Reeves, and was reportedly distraught and devastated when they broke up, so much so that it has been suggested that she or her husband had something to do with the mysterious death.  Coulter also goes so far to include famous stories about the way some kids had trouble distinguishing between the fake Superman and the very real Reeves.  While it is a movie, you’ll learn a great deal about someone and some time Hollywood history had forgotten.   

I wish they spent less time on Simo’s personal struggles, but if every Oscar contender is as good as Hollywoodland, it’s going to be a great fall at the Cineplex.                 

3 ½ Waffles (Out Of 4)

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