Back Shelf Beauties
by Willie Waffle
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The Hills Have
Eyes
For the past few years, horror movies are Hollywood studios' favorite products
because they can be made cheap with actors who don't command huge paychecks.
Horror remakes are even more popular with the studios because the concept
is already known to moviegoers, so it's easier to sell to kids who want a
good scare on a Friday night, and geeks who want to see the movies they worship
brought back and treated like serious films. Unfortunately, we get lots of
half-baked horror remakes where no one is trying very hard to be groundbreaking
or very good. Instead, the makers amp up the blood and gore in an attempt
to "modernize" the product. Luckily, the folks behind
The Hills Have Eyes are trying to do
something more, even if they don't always succeed.
Ted Levine stars as Bob Carter - a middle aged, former cop and 2nd amendment
supporter traveling across the country to San Diego with his family. After
stopping for gas in the middle of the New Mexico desert, a strange gas station
attendant (Tom Bower) suggests a short cut to help them save time on the
journey. Bob decides to head down that isolated road with his wife, Ethel
(Kathleen Quinlan); son, Bobby (Dan Byrd); oldest daughter, Lynne (Vinessa
Shaw); son-in-law, Doug (Aaron Stanford); teen daughter, Brenda (Emilie de
Ravin); and baby granddaughter, Catherine (Maisie Preziosi). However, when
the car's tires come across some sort of spikes, the short cut reveals itself
to be a trap. As the family tries to find help, they are surrounded and
terrorized by strange mutant victims of nuclear bomb testing conducted years
ago.
Who will survive? Who will die? Can they escape? Why do the mutants want
to do this?
The Hills Have Eyes is an interesting
concept, but director Alexandre Aja takes too long to get to the good parts,
and is saddled with villains who look more goofy than menacing. The film
is co-written by Aja and his collaborator Gregory Levasseur (based on a 1977
movie by Wes Craven), so they get the blame for the slow build up to the
action we want to see in the movie. Aja desires to establish some sort of
mysterious, creepy and tense mood, but not enough happens to contribute to
that sort of mood. He provides us some mystery as the victims start to sense
someone is watching, and personal items disappear from their vehicle with
no apparent explanation to the family, but the audience already knows what
is supposed to happen and who is supposed to do it based on all of the trailers,
commercials and knowledge of the original film, so Aja just wastes time with
these establishing scenes. Along the way, he shows us flashes of newspaper
articles detailing the villains' origins, but, if he wanted to set the tone
and give us some sort of strong explanation or wrongheaded justification
for their actions, he could have taken us back in time to see the events
that led our characters to where they are today. Seeing who the mutants were,
and what they have become, would have had much more impact than a few bumps
in the night.
Once the action starts, The Hills Have
Eyes is a good horror/slasher movie, but that action needs to
be spaced out better. In what feels more like one long scene, almost all
of the big action takes place. The audience knows someone is going to die,
so Aja should have taken time to bump people off one by one, instead of in
one sequence like we see in The Hills Have
Eyes. Watching people go down one by one would have built up more
frights and tension (and given Aja a chance to be creative with their demise)
as we watch to see who gets theirs next, and how it happens. Of course, the
movie's biggest downfall is the look of the villains.
The supposedly creepy, frightening, killer mutants look goofy and comical
rather than menacing. Aja does his best to hide the creatures for as long
as he can, but we have to see them sometime, and, when we do, it is
underwhelming. Each mutant looks silly with makeup and masks that look like
they were purchased at Wal-Mart not created by a top notch Hollywood special
effects team. They have their moments, especially when one sneaks into the
family's trailer with bad intentions for the most vulnerable characters in
the film, but I couldn't get past the big rubber heads.
The Hills Have Eyes is not a total waste,
but needed more skill behind the camera when filming, the computer when writing
the script and the makeup chair when developing the look of our creepy mutants.
2 Waffle (Out Of
4)
Copyright 2006 - WaffleMovies.com
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