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by Willie Waffle

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Flicka

If you go to see Flicka, I dare you not to cry!  Even I, the most macho movie critic in all of the land, had one manly tear running down my rough, unshaven cheek after this movie.  You can’t help it, hold it back, or stifle your emotions.   

Alison Lohman stars as Katy – a rambunctious teen who would rather be working on her family’s horse ranch in Wyoming than stuck in some private boarding school with spoiled little rich girls.  She’s on the verge of flunking out as she heads home for the summer, but Katy is more fascinated with a young mustang horse that saves her from certain danger when she is out in the woods one day.  Dad (Tim McGraw) isn’t happy to hear about the wild horse near by, and ends up bringing it back to the ranch, explicitly telling Katy to stay away from the horse she has named Flicka, and wants to train on her own. 

Will Dad sell Flicka to save the ranch from going bankrupt? Does Katy have what it takes to tame Flicka, so she can be part of the family without interfering with the other horses?

Flicka is one of the year’s best family films, and one that is bound to touch the heart of every man, woman and child who takes the time to appreciate it, even if you are a jaded teen or dead hearted man who thinks nothing can reach you.  I just want to warn parents that Flicka can get intense.  People and animals find themselves in peril, and it can get explicit at times, so you might want to be careful with the 6-years old and under kids.  For everyone else, it’s a good night at the movies.

Writers Mark Rosenthal and Lawrence Konner (based on the novel by Mary O’Hara) provide a strong story even if it is a bit cliché and gets a little slow in the middle.  Ultimately, Flicka is the timeworn tale of teen rebellion, but Rosenthal and Konner make it feel earnest and relatable without sacrificing the characters’ portrayals as real people.  Kids will see themselves in Katy.  Parents will see themselves in Mom and Dad.  However, all of us will feel like they are far from stereotypical and simple.      

Director Michael Mayer beautifully captures the vastness and magical feel of the countryside, which means so much to the story and to the development of the characters.  Yes, he has to turn to a few too many montages later in the movie (which feel like padding to get Flicka to last long enough), but he never lets the scenery get in the way of the story.  Flicka is about this family and this horse, and the pretty mountains are just syrup on the waffle (you knew I couldn’t resist that one).     

Because it’s about the family, we get to see McGraw and Lohman put in some strong performances.  McGraw, who continues to show he is more than just a country singer recruited to sing the theme song and sell some soundtracks, proves to be much better in the quieter, more dramatic moments towards end of Flicka.  Early on, he’s a bit forced as he shows Dad’s rougher side, but McGraw excels when the crucial moments hit, and he gets a chance to show a father’s love for his daughter. 

Lohman again proves she’s still as talented as she is beautiful.  Seeing her ride through the tall grass with that long hair flowing behind her in the wind makes a city boy like me want to put on some spurs and a cowboy hat, then head out to Wyoming (I'd have to fly, something tells me it might hurt to ride a horse all the way out there).  Additionally, she avoids making Katy into a whiny brat.  Instead, Lohman makes the teen into a determined dreamer with a real heart and soul, and a compelling leading character.    

Flicka is the movie you want to see with someone who won’t be embarrassed when you cry.            

3 Waffles (Out Of 4)

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