Atlantic
City
The '70s was a defining decade for the Northeast United States and filmmaking.
Cities that had been known for their opulence slowly deteriorated, and the
movie industry, which still had strong New York roots, reflected this. Seventies
movies set in New York, Philadelphia and New Jersey were gritty tales about
trying to escape the slums before they destroyed you. Directors like Scorcese
used New York's deterioration like a canvas to paint their tales of desperation.
While the cities burned, desperation spread, the seedy underbelly of society
grew, and '70s films captured the moment.
Atlantic City, made in the closing months of 1979, was one of the last great
'70s films. Director Louis Malle captured this seaside town's metamorphosis
from over-the-hill beauty to casino heaven. First, some necessary background.
Around the turn of the century, Atlantic City was established as a resort
town for the rich and famous of Philadelphia. Along with having the world's
first boardwalk, Atlantic City was home to one of the most beautiful skylines
around. In the 1920's, it became a safe haven for mobsters who wanted a vacation.
Realizing that everyone needed a break now and then, mobsters had an
understanding that Atlantic City was off limits and anyone could vacation
without fear of violence.
However, World War II brought Atlantic City's heyday to a sad ending. Other
boardwalks were built up and down the coast, people moved out west, the mob
started to have a negative influence on the city's image, and Atlantic City's
infrastructure slowly deteriorated. The city, once the crown jewel of the
East Coast, became a town of slums and criminals.
Atlantic City thought legalized gambling could bring about a renaissance.
The film captures the city's hopes and fears as the casinos are being built
and desperate people believe they will finally strike it big. However, these
same people don't realize that there are many problems that come along with
the casino money and lifestyle.
Burt Lancaster stars as Lou - a small time mob gopher who never amounted
to much. He has been running numbers forever and just gets a new boss every
time the current one dies. Lou spends his days catering to the needs of a
local tough and the widow of his former, legendary mob boss. No one respects
Lou, not even Lou.
Sally (Susan Sarandon) is the girl next door who catches Lou's fancy. Like
many in Atlantic City, she thinks the casinos will bring her fortune. She
works days in a seafood bar, and studies to become a card dealer at night.
Sally is bright and hardworking, but she faces a threat to her future success.
Her deadbeat husband, Dave (Michael Piccolli), ran off with her sister, Chrissie.
Months later, Dave has stolen a drug delivery and has shown up in Atlantic
City to peddle it as his own for a quick score. Sally's association with
Dave could endanger her chances of working in a casino due to strict laws
prohibiting employees from associating with criminals. Already blackballed
in Vegas because of Dave, she doesn't want any part of his life in Atlantic
City.
Will Sally be able to get rid of Dave and have the fresh start she craves?
Will Dave be able to get the help he needs from Lou?
Lancaster is fabulous. The legendary actor somehow finds the soul of a perennial
loser and wears the persona like a glove. He is able to show the character's
desire to be one of the greats, but he unable to rise above third class hoodlum.
Those who take advantage of him can do so by stroking his ego and inflating
his sense of self. Lancaster is brilliant in the closing scenes when he thinks
he has finally found greatness.
Sarandon is wonderful as the closest thing this noir pic has to a conscience
and moral center. Her character wants to be cultured and rich, but she doesn't
know how to go about it and wonders if she is fooling herself.
Malle's vision of Atlantic City is just as gritty and shocking as Scorcese's
view of New York. Using the historic changes as a backdrop, Malle has created
a time capsule for those who don't remember an Atlantic City without Trump
and Bally's. If you stray from the boardwalk, you can still find the slums
and characters that are seen in the film. You just don't want to.
Atlantic City is not just a time capsule of
Atlantic City, but of '70s filmmaking as well. Movies like
The Godfather, Mean
Streets, Dog Day Afternoon and
Taxi Driver were critical and box office successes
(OK, Mean Streets didn't make a ton of money).
However, as the decade came to a close, more emphasis was being put on making
big blockbusters like JAWS,
Star Wars and Close Encounters
of the Third Kind.
For a look back, check out Atlantic City.
Special Thanks to New Jersey online, which contains a wonderful, informative
history of Atlantic City.
Grade: A
Directed by Luis Malle
Written by John Guare
Cast
Burt Lancaster
Lou
Susan Sarandon
. Sally
Michael Piccoli
... Dave
Robert Goulet
Robert Goulet (who else would
he play)
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