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by Willie Waffle

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A Scanner Darkly

A Scanner Darkly has a cool look and some great acting, but it doesn’t work overall as a movie.   

Keanu Reeves stars as Fred - a futuristic police informant working undercover to bring down the manufacturers of a new, deadly illegal drug called Substance D.  Fred is so deep undercover (he literally wears a zippered suit that conceals his true identity) that even the cops don't know his real name or what he looks like.  Along the way, he has developed a serious drug addiction, moved in with a couple of crazy drug users - James Barris (Robert Downey, Jr.) and Ernie Luckman (Woody Harrelson) - and started a relationship with a known drug dealer, Donna Hawthorne (Winona Ryder).  All of this comes back to haunt him as the police unwittingly assign Fred to chase after another drug dealer named Bob Arctor.  The problem?  Fred is Bob. 

Will Bob's world come crashing down?  Will anyone discover his real life illegalities?  Can he ever kick the habit that is destroying his brain, career and life?   

Just because the movie is about people on drugs, I shouldn't feel like I am on drugs while watching it.  Writer/director Richard Linklater (based on a story by Philip K. Dick) wants to consume us in this world of paranoia, delusion and manic thinking, but it becomes too muddled for us to understand where the plot is heading.  Also, instead of letting us play along by dropping some clues throughout the movie, he unfairly springs a twist on us at the end that cheats the audience.  You don't see it coming because you have no idea to expect a twist.  Aside from those problems with the story, A Scanner Darkly is full of great acting performances to keep you interested (with a cast straight from the Folsom County Prison Dinner Theater Troupe).

Downey, Jr. and Harrelson are fantastic as the two crazed drug users living with Bob (not that they have any experience with that).  Harrelson is wonderfully wacky, providing some comic relief as well as giving us a reason to fear Bob Arctor may be heading down the same tortured path.  Meanwhile, Downey, Jr. blows everyone away as the fast-talking, brain fried conspiracy theorist with a bit of a Machiavellian streak in him.  He is captivating with his fanatical ranting and raving and draws in the audience, even though his speech is flying by at what feels like 1000 words per minute.  Much has been said about the amount and style of dialogue he had to learn, and it is all amazingly executed by one of our greatest actors.  Ten or twenty years from now, if Downey, Jr. can continue down his clean and sober path (and I will be rooting for him to do so), I think we’ll realize his ability and reward him with the type of accolades he will deserve. 

A Scanner Darkly also is an interesting movie to watch due to its use of Interpolated Rotoscoping.  Essentially, the movie is filmed like any other film, then fed into a computer where it gets an animated look, complete with simulated brushstrokes coloring in the faces, objects and more.  For a movie set in the future like this one, it gives Linklater freedom to play with it and add little touches.  Some of the additions look fake, but others, like the constantly changing zippered suits the police informants wear or the drug induced hazes the characters experience, bring some life and value to A Scanner Darkly.

Linklater and Dick fans will love the film, while the rest of us can appreciate its artistic merits and Downey, Jr. on DVD.

1 ½ Waffles (Out Of 4)

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