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by Willie Waffle

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All The King's Men

How can you mess up a movie with Sean Penn, Anthony Hopkins, Patricia Clarkson and Tony Soprano?  Watch All The King’s Men to find out, and watch their Oscar hopes flicker out as the movie limps towards its finale.   

Set in the late 1940’s, Jude Law stars as Jack Burden – a newspaper reporter in New Orleans with some powerful connections with “the right” people in town.  However, he has become interested in a small town treasurer from the rural part of the state, Willie Stark (Sean Penn), who seems to be the one honest man left in the corrupt world of politics, especially Louisiana politics.  After becoming a hero in the middle of a scandal that ends in tragedy, Stark begins a run for Governor, which could end up consuming him, Jack and everyone around them.

Will Stark be a shining beacon of hope for the poor in Louisiana, or another politician who succumbs to corruption and power’s temptation?   

All The King’s Men ends up being a long, slow moving film that focuses on the wrong character and the wrong story, which makes it feel all that much longer.  Writer/director Steven Zaillian (based on the original novel by Robert Penn Warren) seems torn between Stark and Burden as the main focus of the movie, and it shows.  What is All The King’s Men supposed to be about?  Is it about Willie Stark’s fall from grace as an honest man who becomes corrupted by power and politics?  Is it about Jack Burden being torn between his new boss and his old family and personal loyalties? 

Frankly, the Stark story is infinitely more interesting and has a much stronger performance from Penn to anchor it.  I never felt like Zaillian gives the audience a good explanation for why Burden falls in with this crowd, why he doesn’t walk away when it gets ugly, what motivates him to turn on everyone he loves and knows when working for a boss who is becoming more evil by the day.  However, it’s Stark's turn to the dark side (for lack of a better phrase) that can be more interesting, if explained better.   

By not focusing on the story with more potential, Zaillian doesn’t give Stark a strong story arc.  How does he go from good guy to corrupt?  Was he always corrupt and it just comes out?  We need to see it develop instead of come out from nowhere.  Much the same can be said of Burden.  What were the little steps along the way that he took towards where he is today?  What small sacrifices added up to who he has become today? 

Penn gives a fantastic, electrifying performance as Stark that deserves to be in a better movie.  Law is passable, and Clarkson is solid as always, but I just can’t look at Gandolfini and see anything other than Tony Soprano.  Even when he puts on the southern drawl, you still see the facial movements and physical gestures of the mob boss.  Maybe his next film appearance will be like his previous, better ones.      

1 ½ Waffles (Out Of 4)     

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