Back Shelf Beauties
by Willie Waffle
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Underworld
When I first heard about Underworld,
I was ready to stand in line. Vampires, werewolves AND Kate Beckinsale in
tight leather pants!?!? Sign me up! I'd even pay to see that movie, and many
of you will. Underworld was the movie
that could be the surprise hit of the fall, but I'm not sure it has what
it takes. On the surface, it looks like a cool, dark, gothic thriller, but
some of the thrills are missing.
Beckinsale stars as Selene - a vampire trained to kill werewolves in a war
that has been raging for centuries. We learn that werewolves have been on
the brink of defeat for a long time, but Selene discovers that something
is going on. As her despised leader, Kraven (Shane Brolley), is about to
unite two factions of vampires, it turns out that the werewolves are chasing
after a mysterious human, Michael Corvin (Scott Speedman), and regrouping.
Why do the werewolves want him? What are they up to? Can Selene figure it
out in time?
Underworld has a bunch of plot twists
and intricacies that are very cool, but director Len Wiseman shoves them
all towards the end. Instead of slowly building to a major climax,
Underworld starts with a great fight
scene, very slowly explains the story to us, starts a love story between
Selene and Michael, and then starts firing plot twists at us like a machine
gun.
The revelations cause a great deal of confusion and doubt in Selene, which
makes for a great movie and interesting character, but it's too much at one
time. Maybe Wiseman doesn't deserve all of the blame. When I see there were
three writers (Ken Grevioux, Wiseman and Danny McBride), it makes me wonder
if too many cooks were trying to stir the pot. Moderation would have kept
the movie interesting from start to finish.
Beckinsale is great in a role that challenges at some points, but forces
her to make something happen when the story has nothing for her. It's a great
physical and emotional challenge for Beckinsale, and she is quite up to it,
when she has something to work with. Unfortunately, her supporting cast isn't
very special. Speedman is fine as the mystery man, but he never does much
more than brood. Michael Sheen as Lucian is a weak nemesis, and another character
(who I won't name because it ruins the movie for you), who is supposed to
be all-powerful, isn't very imposing.
My last comment might be viewed as petty, but I think it's an important thing
to consider. In this dark, gothic, very cool looking movie, all of the characters
drive weenie-mobiles. Hello! Why isn't Selene riding around town on an awesome
motorcycle? Why don't the werewolves have Porsches or Lamborghinis? If Wiseman
wants the audience to be taken with this dark, fantastical tale, then the
characters need to drive something cooler than Mercedes and Audis. Every
aspect of a character shapes the impression that the audience has of that
character, so everything counts from clothes to the dialogue to the haircut
to what they drive. What is Batman if he drives a Toyota Echo? Get my point?
Underworld has the makings of a great
movie, and even gives us the plot for a sequel if one is made, but the puzzle
pieces need to be put together better, and the supporting characters need
to be more interesting. Grade: B-
Copyright 2003 - WaffleMovies.com
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