Son Of
God
It
was about 10 years ago when The
Passion Of The Christ became
one of the world’s most popular and most controversial movies
of
all time. The people behind Son
Of God would welcome that level
of popularity, and they have taken steps to make sure they are not
mired in the same controversy.
Some of you probably know the story, but, if you don’t, Diogo
Morgado stars as Jesus – an evangelist of rising popularity
as he
goes around Jerusalem spreading the word of God and performing miracles
that convince many he is indeed the Son of God.
As the crowd of people he attracts starts to grow and grow, and his
reputation grows to monumental heights, those who control Jerusalem
feel threatened by the man’s popularity with the lower
classes.
During the celebration of Passover, Jesus makes his way into the city
and is hailed as The Savior, but that is when the powerful decide to
take action. Jesus is arrested and sentenced to death. Of course, that
was his plan all along.
Those
who watched The Bible
last year on The History
Channel
or on DVD will recognize many scenes taken from that work (along with
the inclusion of stuff that didn’t make the cut), but it is
something different and more entertaining seeing it on the big screen.
While most movies would rely on the director to make it better, Son
Of God owes a great deal of its
success to editor Robert Hall. He
faces a unique challenge to condense a 10-hour miniseries into a 2-hour
comprehensive, compelling movie, and mostly succeeds.
Much of the first hour of Son
Of God does come off like a
collection of Jesus Christ’s Greatest Hits. The audience goes
from scene to scene as we watch moments from the life of Jesus come to
life without much tying it all together. It’s klunky.
However, the rest of Son Of God
is a dramatic and compelling
telling of The Passion Play, especially because of Morgado. He has that
intangible solemnity about him that makes Jesus come to life before our
eyes more so than just by looking like Christ. He conveys the spirit of
Christ, and the pain of the final days as he is betrayed, arrested,
sentenced to death and crucified (without as much focus on the violence
of it all like Gibson brought to The
Passion Of The Christ, but
enough to portray the brutality of it).
Plus, the second half of Son
Of God has the elements of a
political thriller as well as we see the church elders and Pontius
Pilate (Greg Hicks) trying to come up with a plan to stop the rising
popularity and fame of Jesus. It becomes intriguing even if you are
familiar with the tale.
Son
of God is rated PG-13 for intense and
bloody depiction of The Crucifixion, and for some sequences of violence.
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