Back Shelf Beauties
by Willie Waffle
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The
Punisher
He's the man who carries out justice when no one else can. Kill someone,
and he'll punish you. Rob money from a church, and he'll punish you. Talk
at the movies and he'll PUNISH you, or I will.
Thomas Jane stars as Frank Castle - an undercover FBI agent in Tampa (because
not everything happens in New York City) who is about to retire and spend
more time with his family. On his last case on his last day, you know something
bad is going to happen or else we wouldn't have a movie. In
The Punisher, a sting operation goes
awry and the FBI ends up shooting the son of powerful crime lord Howard Saint
(John Travolta). Saint wants revenge on the person responsible for his son's
death, so he and his wife order the elimination of Castle's entire family
(and they mean everyone. His mother, his father, his wife, his son, his uncles,
that pesky cousin who always borrows money
). The hitmen are successful,
but Castle survives, he's very angry and he wants revenge. In his own mind,
Frank Castle is dead, and he has become The Punisher.
Will Castle/Punisher be able to wipe out Saint and his lackeys? Will it bring
him inner peace?
I like this movie because I am nothing more than a man wearing a suit to
cover up the little boy inside. He's The Punisher, he fights bad guys, and
he blows stuff up. That's my kind of movie.
For all of its merits (did I mention that he blows stuff up),
The Punisher does have its problems.
Let's start with our bad guy. I really like John Travolta, and this is one
of his most understated, yet stronger performances. However, writer/director
John Hensleigh needs to make him a better nemesis for The Punisher. Saint
comes off too much like a small time hood instead of the imposing man who
can order the elimination of a family. Travolta seems to be aching for a
chance to be darker, meaner, nastier, and Hensleigh should have found a way
to do it.
Also, I was put off by the comic relief and love story. Most of the "laughs"
are supposed to come from Castle's interactions and growing familiarity with
other outcastes who live in his apartment building on the wrong side of town
(his new "family", yuck), and we have to watch the hint of a love story when
The Punisher wins Jane's heart (Rebecca Romijn, no more Romijn-Stamos now
that divorce is looming). Of course, she's the tough luck gal down the hall
who happens to look like a supermodel because all cruddy apartments are full
of supermodels.
All of this might be in the comic book and graphic novel, but Hensleigh detaches
us from The Punisher and the drama surrounding his cause by including less
dramatic stuff, and he doesn't help with constant music that fails to capture
the moment as well as inserting increasingly comic book-like fights between
The Punisher and Saint's assassins. All of that takes us out of the movie
and makes us remember that none of this is real (the fight with Harry Heck
is awesome, the one with the Russian, not so much).
What do I like about The Punisher? He's
a cool good guy. The Punisher does what most of us would wish we could do
if we were the victim of such a horrible crime, but Jane is too buff for
a guy who drinks away his pain as much as Castle. Maybe I need to try that
Wild Turkey diet because he is ripped much more than you have ever seen him
in previous movies. I liked Travolta, and wish he could have had more to
do. Finally, I like the general plot where Castle increasingly pursues and
hurts Saint. His attacks grow more and more menacing as Hensleigh puts them
together in a sequence that never makes us feel bad about rooting for Castle
because he doesn't lose moral authority.
The Punisher needs some improvements,
but it's an action packed, dark story that keeps you interested.
2 ½ Waffles (Out of 4)
Copyright 2004 - WaffleMovies.com
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