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Penelope
2 Waffles!

Christina Ricci stars as Penelope – the daughter of celebrity aristocrats who suffers from a curse put on the family years ago. Because of this hideous curse, Penelope was born with a pig’s snout for a nose, and her family, out of embarrassment, and to protect her from a world where she could not be accepted, has hidden her away for years. To break the curse, they must find a fellow blueblood to love her, so Penelope’s mother, Jessica (Catherine O’Hara), has hired a matchmaker to recruit someone to marry her daughter.

Will anyone want to marry the girl who looks like Porky the Pig?

Writer Leslie Caveny and director Mark Palansky want Penelope to be a lighthearted fairy tale with the ability to warm your heart, but the story goes a step too far after achieving the goal. The team hits on the themes of being true to one’s self and promoting inner beauty, which always are welcome messages in a world where looks are more important than what is inside, but Penelope veers away from all of that about halfway through, as if they ran out of material and needed to throw in some filler.

Palansky does his best work building up the possible romance between Penelope and unlikely suitor Max (James McAvoy) as we watch the two flirt, get to know each other and enjoy each other’s company via conversations held through a one way mirror. It brings out the best in Ricci and McAvoy – both of whom are strong actors with a flair for longing looks. Palansky even has some fun with Penelope’s campier aspect as we watch suitor after suitor react to her porcine countenance and a funny subplot about a dirty paparazzo (Peter Dinklage) trying to score the photo of a lifetime, while whiny aristocrat Edward Vanderman, Jr. (Simon Woods) tries to clear his name in a scandal of his own doing.

However, Penelope runs away from this fun part of the movie about 45 minutes in, and only looks back when someone remembers they still have James McAvoy under contract and need to wrap up his storyline. Also, while Penelope is being billed as a modern fairy tale, it is not necessarily for youngsters. The early portion of the movie deals with some darker material and younger kids might not understand jokes about paparazzi.

Penelope is rated PG for thematic elements, some innuendo and language


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