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One Night At McCool's
Michael Douglas has been taking some interesting chances with his career.
Already loaded and a Hollywood legend in his own right, Douglas has branched
out to play a burned out professor in The Wonder
Boys, the drug czar with an addicted daughter in
Traffic, and, now, a sleazy bingo player
with a bad pompadour wig in the very funny One Night
at McCool's (a movie he produced).
Liv Tyler stars as Jewel Valentine - a pouty, vulnerable, manipulative Marilyn
Monroe-like sexpot in trouble. One night, after locking up McCool's Bar,
Randy (Matt Dillon) stumbles across Jewel and her abusive boyfriend having
a fight. Randy saves the day, takes her home and finds out this is all a
scam when Jewel's boyfriend returns to rob him. However, Jewel shoots the
boyfriend and convinces Randy to plead self-defense. With her boyfriend dead,
Jewel latches onto Randy and starts him down the road to a life of crime
that only benefits her.
Will Randy be convicted of murder? Who will end up with Jewel?
Writer Stan Seidel and Director Harald Zwart team up to create a funny, hip
dark comedy that entertains on many levels. First, it is a well-made and
constructed film. Zwart moves the plot along by following three men; Randy
- the working class lug, Carl (Paul Reiser) - his sex crazed lawyer cousin,
who starts to put the moves on Jewel, and Detective Dehling (John Goodman)
- a love struck knight-in-shining-armor cop, who falls deeply in love with
Jewel, as each one professes his love for Jewel to a confidante. This allows
Zwart and Seidel to give the audience a look into the minds of these three
nitwits and how they view the actions that have brought them to the brink
of insanity. Which one is telling the truth? Who is skewing the story to
make themselves look good? Also, Zwart uses some very cool stop motion, slow
motion and transitions to spice up the look of the film without distracting
the audience from the plot or the characters. The final act screams along
at breakneck pace and best exemplifies Zwart's background as the director
of television commercials.
All five members of the ensemble bring their characters to life with crazy
quirkiness. Tyler channels Marilyn Monroe, with a touch of the bad girl streak
in her. It's the first time in a while that Tyler has tried her hand at comedy,
and she does well. While she has some trouble showing the evil side of her
character, she has the dumbness down pat, and every man in the movie and
the audience is taken in by her steamy sexuality.
Dillon is pretty good as the dumb lug that is being played for a fool. In
some ways, he is the male version of Jewel without the evil streak. Reiser
goes over the top as the lawyer with weird sexual desires and makes the most
of his outrageous costuming. Goodman puts in a great performance as the lonely
cop who thinks Jewel is the replacement he has always sought for his deceased
wife. He smartly exploits the character for comedic effect instead of clouding
up the performance by tugging on our heartstrings. However, it is Michael
Douglas as the dirty, sleazy, old man who listens to Randy's plight who steals
the show.
The film is a dark comedy with some violent and sexually suggestive scenes
(not the same scenes), so be wary if that is not the kind of stuff you can
handle. After a slow start, One Night At
McCool's picks up steam in the second and third acts, which makes
it well worth your time this weekend. Grade:
B+
Copyright 2001 - WaffleMovies.com
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