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Losing
Isaiah
Halle Berry is best known for her beauty queen good looks (she was a Miss
USA runner up and Miss Teen USA), troubled marriage to baseball star David
Justice, and a recent run in with the law, however, she has proven to be
a fine, talented actress.
In this 1995 drama, Berry stars as Khaila, a drug addicted mother of a crack
addicted newborn baby. Khaila's entire life revolves around getting her next
hit, and the baby is just a burden. One night, she places the kid in a trash
bin, so she can buy some drugs, but, unknown to Khaila, the baby is saved
by garbage men.
Margaret (Jessica Lange) is a social worker trying to do the best she can
in a crazy, bureaucratic system. When the little baby is brought into the
hospital, barely clinging to life, Margaret takes a special interest in his
recovery, falls in love with the kid, and adopts him. Two years later, baby
Isaiah is happy, healthy and loves his white family. It's the only family
that he knows and they have legally adopted him. That's where the trouble
starts.
Thinking her child is dead, Khaila gets on the right path, finds God, changes
her life, gets off drugs and finds a job. She learns that her baby is alive
and decides to reclaim him. Khaila receives the aid of a local African-American
activist attorney, Kader (Samuel L. Jackson), who argues that a white family
should not raise an African-American child.
Will Isaiah be forced away from the only family that he knows?
Director Stephen Gyllenhall deserves credit for avoiding the obvious and
trying to reach deeper into the film by creating several interesting, strong
characters. I find most films about race relations to be mired in cliches
and overly forced to be relevant, however, Losing Isaiah, avoids the typical
black vs. white battle pitfalls by focusing on the child and the two women
central to the film. Because of this focus, the film would have worked if
the two women were of the same race, however, the difference in race simply
adds another complexity to the case that is interesting for the audience.
However, I have to take Gyllenhall to task for some pretty cliched filmmaking
early in the film. Scenes of drug use are gratuitous and seem to be a desperate
scream to be shocking rather than important to the story. Also, he creates
a "wrong side of the tracks" part of town that could only exist in Hollywood
due to its fakeness and overly staged look. The only thing he is missing
is close ups of rats scurrying around to prove that its dirty.
Another reason the film works is because of the strong acting talent involved.
Samuel L. Jackson is outstanding as Kader. He is tough, proud, smart and
dangerous. Jackson fills the character with the type of outrage that an activist
attorney needs to fight these battles, but also makes the character as slick
and sharp as any good attorney should be. Kader views Khaila as a tool in
his battle, and Jackson makes that very clear. I wish we had more courtroom
scenes so Jackson could show more of his ability, but, alas, we must take
what we can get.
Berry does a fine job as the reformed drug addict trying to stay on the
straight-and-narrow. Her opening scenes of hopeless addiction are a little
forced, but she does a good job as the crusading mother fighting long odds
and being pushed around by her attorney. Her scenes with Lange elevate an
otherwise weak performance from usually reliable Jessica.
What was Lange thinking? She has some strange southern accent that doesn't
work, especially since movie seems to be set in Chicago! Also, Lange tends
to get over-dramatic to the point that her feelings don't seem real.
If the X-Men is sold out and you need to get
your Halle fix, check out Losing Isaiah.
Grade: B
Directed by Stephen Gyllenhall
Written by Naomi Foner
Based on a novel by Seth Margolis
Cast
Halle Berry
Khaila
Jessica Lange
. Margaret
Samuel L. Jackson
. Kader
Cuba Gooding, Jr.
.. Eddie
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