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by Willie Waffle

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Happily N'Ever After

In this animated feature, George Carlin stars as The Wizard – a powerful figure who ensures that all of the fairy tales end as they should, with good trumping evil, the prince getting the right girl, etc.  One day, just before the big ball, where the Prince (Patrick Warburton) is supposed to fall in love with Cinderella (also known as Ella in this movie, and voiced by Sarah Michelle Gellar), The Wizard goes on a quick vacation, leaving his lackeys, Munk (Wallace Shawn) and Mambo (Andy Dick) in charge. 

Of course, Cinderella’s evil stepmother, Frieda (Sigourney Weaver), finds out the two screw up sidekicks are temporarily in charge, and decides to grab The Wizard’s all powerful magical staff from them (at least buy him dinner first).  Once she does, Frieda fixes it so all of the fairy tale villains start to win, and Ella has to join forces with Munk, Mambo, and one of the Prince’s servants, Rick (Freddie Prinze, Jr.), to find the handsome prince with hopes he can defeat the evil stepmother, ogres, wolves, witches and more.  Little does she know, the prince is a dolt, and Rick wants to be much more than just friends with our fair maiden.

Will Frieda be defeated?  Will Rick win the heart of Ella?  Do they call her Ella in some sort of weird pact with Disney to avoid copyright violations and a nasty lawsuit where Disney sues them back into the Stone Age?        

Happily N’Ever After clearly is the B-level of animated fare, including B-level animation, B-level stars providing voices, B-level stories and B-level dialogue.  Director Paul Bolger and writer Robert Moreland are too busy trying to be snarky to make an interesting movie.  The story is beyond extremely thin as the characters wander around with no plan, and the action is thrown in to wake you up with some loud noises instead of trying to advance the plot. 

Worst of all, Moreland doesn’t come up with any dialogue or character behavior you could consider smart and witty, and never strives to reach the levels of fun and intelligence you find in movies like Shrek and The Incredibles.  Instead, he and Bolger try to make our narrator Rick sound too cool for words, while the words he and the other characters speak are never clever, and barely ever funny.  Instead of having some fun twisting around the behavior of cherished characters who are easy targets for lampooning, Moreland and Bolger just dumb them down, like the Seven Dwarfs being morphed into Southern militia nutjobs.   

Not only did I find it boring, but the theater was full of little kids who didn’t laugh that much either.  The only real laugh I had was when I started think Frieda the Evil Stepmother was supposed to look like an over-botoxed Sharon Stone, but I have a feeling that wasn’t intentional.  Happily N’Ever After has very little chance of making any of you happy if you go to see it.  

½ Waffle (Out Of 4)

Happily N'Ever After is rated PG for some mild action and rude humor  

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