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by Willie Waffle

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The Fountain

Sometimes, ambitious, daring and different can yield a masterpiece.  Other times, it yields The Fountain.

Hugh Jackman stars as Tom – an experimental researcher and doctor dedicating his life to finding a cure for his wife’s, Izzi (Rachel Weisz), illness.  As her condition gets worse, Tom is becoming obsessed with saving the most important person in his life.  Along the way, she asks him to read a book she has been working on, one about a Spanish conquistador trying to find the tree of life in the Central American jungle, much like Tom has been doing for the past few years.  

Will Tom find a cure in time? 

If only The Fountain was as easy and straight forward as that plot summary.  Writer/director Darren Aronofsky has created a movie that is partly about Tom’s struggle to find a cure, partly about the book Izzi has written and partly about a dreamlike and possibly futuristic place Tom inhabits.  The tricky part is figuring out what is real, what is fantasy and how it all goes together, which is a challenge I think I failed, and maybe most will give up trying to solve.  I’m all for a movie making us think, but I am worried Aronofsky, no matter how much I respect him as a director and writer, went a little too far with this one.   

However, The Fountain is redeemed by some very good acting performances, and possibly the best performance you have ever seen from Jackman, who amazingly captures Tom’s obsession and fear as he is losing his wife.  He is being driven mad by grief, and rips at your heart while doing it.  It’s a shame this performance wasn’t in a movie that had some awards potential because he would be in the running.  Then, Weisz puts in a strong performance as a woman facing death with grace.  It’s an easygoing performance from her that makes you hope you can be that calm in the face of the ultimate danger, and a nice departure from what could have been a scenery chewer role.  

In the end, The Fountain might just be a little too weird for its own good and ends much too suddenly after the audience has tried to wrap its brain around the concept. 

2 Waffles (Out Of 4)

The Fountain is rated PG-13 for some intense sequences of violent action, some sensuality and language. 

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