Force of
Evil
If you are a fan of Martin Scorsese, you might be interested in the types
of movies that influence his work. In the tape series
Martin Scorsese Presents, available in
video stores, you can see four films that he feels are crucial to his style
and career. The films Force of Evil,
A Double Life,
Pursued and Johnny
Guitar have been repackaged to include a short introduction from
Scorsese, where he explains how the film impacted him, what he likes about
the work and which of his films are influenced by it. This week's
WaffleMovies.com Classic Selection
celebrates one of those choices, Force
of Evil, which also plays a crucial role in the history of Hollywood
and the dark days of the red scare.
John Garfield stars as lawyer Joe Morse. An ambitious and greedy young man,
Joe has gotten too cozy with one of his clients, a powerful and dangerous
numbers racketeer named Tucker. The two have come up with a new scheme that
will make them millions and destroy their rivals.
They have rigged the daily trifecta, which is the basis for numbers racketeering.
By assuring that the trifecta for July 4th will be the widely played 7-7-6,
Joe and Tucker will bankrupt many racketeers who will not be able to pay
the thousands who superstitiously bet that number. Then, Tucker will swallow
up all the bankrupt racketeers by paying off their debts and putting them
to work for him.
Joe has convinced Tucker to put his brother, Leo Morse (Thomas Gomez) in
charge of the new racketeering empire. Leo is a small time hustler who hates
Tucker and feels his brother has become too corrupt and blinded by greed.
He fears Joe has lost his soul and desperately argues that his brother needs
to get out of the Tucker organization. Leo wants to go legit after July 4th,
but doesn't know about the Tucker scheme that will bankrupt him with all
of the other small time operations.
As the plan moves forward, Joe falls in love with Leo's friend, Doris (Beatrice
Pearson), and realizes that maybe he is in too deep. A new Attorney General
wants to wipe out the racketeers and may have enough evidence to arrest Joe
and Tucker.
Can Joe save his brother? Can he save himself?
While the film was not well received when it premiered in 1949,
Force of Evil is the defining movie of
the film noir genre. Director and writer Abraham Polonsky creates a dark
atmosphere and tone, uses brilliant camera work to quickly cut from one face
to another to show multiple reactions to critical events, and utilizes the
shadows to full dramatic effect. He also developed a screenplay with complicated
characters, all full of regret, yet deeply involved with illegal activities.
In some way, each character has given in to the Force of Evil. The screenplay
is also beautifully rhythmic.
John Garfield gives a stunning and powerful performance. He delivers lines
like, "rich relatives are better than doctors or medicine" with a cynical
sneer. Garfield molds his character into a smooth, fast-talking, yet charming
scoundrel. This is best witnessed in scenes where he is trying to romance
Doris.
His character is utterly contemptible, but you can't help but be drawn in
by his charm and self-confidence. In a twisted, but redeeming way, Joe is
trying to help his brother by drawing him deeper into the scheme rather than
face bankruptcy and possible physical harm. However, Joe is so corrupted,
that he can't realize what he is asking his brother to take part in and why
Leo objects. Joe also emerges as a tragic hero when he realizes that he is,
"not strong enough to resist corruption, but strong enough to fight for a
piece of it." In many ways, Garfield was Pacino and De Niro before
the anti-hero became a large figure in American movies.
Garfield and Polonsky were immense talents poised to take over Hollywood
in the fifties, but it was not meant to be. During that time, the United
States House of Representatives established the Un-American Activities Committee
(HUAC) to root out supposed Communist infiltration of the government and
Hollywood. One of its most famous members was a young, ambitious lawyer and
Congressman from Yorba Linda, California who would use the committee to break
onto the national scene - Richard Nixon.
The committee would subpoena members of the Hollywood elite, who had come
under suspicion for their liberal or left wing ideologies. Little or no evidence
was needed to implicate a suspect. When called to testify before the committee,
suspects were asked to affirm or deny their affiliation with the Communist
party and to name anyone who should also be suspected of Communist sympathies.
Polonsky and Garfield refused to identify whether or not they were Communists
and did not identify any other possible Communists, referred to as "naming
names". Dedication to principle had a high cost. Both were blacklisted
in Hollywood, which meant they could not find any employment because studios
did not want to be associated with Communists.
Maybe Garfield was a Communist, but who cares. He was also a great
American who entertained the troops overseas during World War II after he
was physically unable to serve due to a heart ailment. Sadly, these trips
were used against him years later as his detractors tried to claim that he
was up to no good on the trips. His groundbreaking and forward thinking
support for African Americans in Hollywood was also used against him.
Garfield, who had started his own production company after being nominated
twice for Academy Awards, was ruined. His career stalled, he had trouble
getting financing to make more movies and was unable to get any acting roles
with studios. Already known for "having a chip on his shoulder", he was full
of rage after his career was destroyed by politicians who engaged in a witch
hunt that he refused to play along with. It all added up, and he died
of a heart attack in 1952.
Although he had been a successful novelist, Force
of Evil was Polonsky's directorial debut and only his second
screenplay. After the HUAC hearings, it was almost his last.
Polonsky went underground and continued to work under an assumed name. He
became a script doctor and secretly wrote for television. He would not be
able to use his own name until 1968 when he directed Robert Redford's
Tell Them Willie Boy is Here. Sadly,
Polonsky would only direct one more film.
Polonsky was one of the Motion Picture Academy of America's biggest critics
when the organization decided in 1999 to give a lifetime achievement Oscar
to acclaimed producer Elia Kazan. During the HUAC hearings, Kazan earned
the scorn of Hollywood when he "named names", which destroyed the careers
and lives of many of his friends and associates. Polonsky passed away in
1999.
Grade: A+
Director: Abraham Polonsky
Screenplay by: Abraham Polonsky and Ira Wolfert
Based on the Novel Tucker's People by Ira Wolfert
Cast
John Garfield
Joe Morse
Thomas Gomez
Leo Morse
Marie Windsor
. Mrs. Tucker
Roy Roberts
. Tucker
Betrice Pearson
Doris
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