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by Willie Waffle

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Factory Girl

Factory Girl is Sienna Miller’s chance to prove she can do more in a movie than look good while naked (that scene in Alfie changed my life), but it seems like all of the extraneous stories have been taking away from the movie.

While waiting for Factory Girl to make it to theaters, we have heard all the stories about Sienna’s derogatory reference to Pittsburgh, how Bob Dylan was threatening to sue based on his portrayal in the movie even though they don’t use his name (if Hayden Christensen was playing me, I guess I would threaten to sue, too), and those rumors about how Christensen and Miller might really have been engaged in some actual, not faking it nookie when filming the big sex scene (Hayden’s light saber found its way to Sienna’s magical garden?  No way.  She was faking it).  Lost amid all of the gossip, and talk about re-shoots was the fact that Factory Girl is a good movie.

Mostly based on the true story, Miller stars as Edie Sedgwick – a troubled heiress and art student heading to New York in 1964.  Once there, the beautiful, lively young lady seeks out her idol - pop artist and flavor of the moment Andy Warhol (Guy Pearce).  She starts to hang out at an old abandoned factory where Warhol and his followers make experimental movies, paint and do some heavy drugs.  Of course, everything is exciting and fabulous as Warhol and Sedgwick become famous, but jealousy, drugs and a new love interest for Edie (Christensen playing an unnamed musician who looks, sounds and acts a great deal like Sedgwick's possible, but not confirmed romantic interest Bob Dylan, even though her real relationship with a non-famous person was more prominent in her life) start to tear everything apart.

While Defamer.com’s reference to Miller as, “The It Girl Who Never Really Was,” is funny, it turns out she’s a good actress (and not just at faking the sex scenes).  While Miller comes off a bit forced and over the top in the big, show stopping scenes, she is fantastic and natural in making Edie into a likable, lovable, but flawed character.  She sparkles with charisma on screen as life becomes as exciting and wonderful as Edie always imagined, and Miller shares wonderful chemistry with the amazing Pearce, who makes Warhol more interesting than you may have ever seen him. He has to play a freaky character in a reserved way that will draw in the audience, while also showing a darker side to the man than we may have realized was there.     

Even more, director George HIckenlooper, as well as editors Dana Glauberman and Michael Levine, provide a great structure to the movie as we see and hear Sedgwick (still played by Miller) essentially guiding us through her life story, warts and all, in scenes reportedly shot after production has shut down (a smart re-shoot if I ever saw one).  Unfortunately, we also get stuck will all sorts of real life interviews at the end as we see famous figures and those intimately involved with the story recount their feelings about Edie, which isn’t needed since we just saw the movie.

3 Waffles (Out Of 4)

Factory Girl is rated R for strong sexual content, nudity, language, and pervasive drug use. 

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