Burn
After Reading
Was everyone involved with this movie sitting
around gossiping behind Joel and Ethan Coen’s backs about how
Burn After Reading was so bad? Did
everyone just drink the Kool Aid or
put the blinders on in an attempt to get through the experience? Did
Tommy Lee Jones put a voodoo curse on the movie?
John Malkovich stars as Osborne Cox – a CIA desk chief
unwillingly demoted to a position with the State Department, so he
decides to seek revenge by writing a damning memoir of his time with
the agency. Unfortunately, the CD-ROM storing his manuscript goes
missing, only to be found by two trainers at a fitness center, Chad
(Brad Pitt) and Linda (Frances McDormand), who plan on making a few
dollars off its discovery (Some may call it a finder’s fee,
the cops probably will call it blackmail). Also, making his life even
more miserable, Cox’s wife, Katie (Tilda Swinton), is ready
to dump him for Harry (George Clooney), who is not exactly being
faithful to others in his life.
Will
Osborne be able to get his book back?
Will he be able to get his wife or his job back?
Will this movie ever end?
We talked about this a few weeks ago with Sisterhood of the Traveling
Pants 2 (and I am sure many of you cringed as I
started to compare
something as déclassé as Sisterhood 2
to a Coen
Brothers piece of art), but, unfortunately, Burn After Reading
has a
similar problem. It’s a movie with lots happening, but
nothing happening.
Writers/directors Joel and Ethan Coen try to create a complex web of
deceit and comedy, but the movie and plot don’t take form as
we witness a never ending cast of characters and the constant formation
of
multiple layers of interaction between them. Even with all of these
layers and characters, you never feel like there is much meat here.
I want to say Burn After Reading has trouble
getting going, but it
NEVER gets going. You sit there wondering when the plot will kick in,
when the thrills will kick in, when the jokes will kick in, but this
movie could never be a showgirl or member of the Pittsburgh Steelers.
It doesn’t kick.
The Coens provide some funny moments, most with Pitt acting as silly
and ridiculous as possible, while Malkovich takes cursing to a new
level and Clooney has some fun with a quirky character, but these
moments stand out for being so rare and too far and few in between.
The Coens do not provide enough jokes and the correct rhythm to be a
riotous farce. The tone feels too dramatic due to the music and camera
work that takes us out of the laughing mode. And, you find yourself
agreeing with another character late in Burn After Reading
when he
says, “Report back to me when it makes sense.”
Burn After Reading is rated R for
pervasive language, some sexual content and violence.
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