Back Shelf Beauties
by Willie Waffle
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Art School
Confidential
Max Minghella stars as Jerome - an art student who desperately wants to get
away from the typical high school scene because he, like many of us in high
school, does not feel like he fits in. He dreams of going to the stately
Strathmore School of Art and meeting the beautiful model in the school's
brochure, Audrey (Sophia Myles). However, once he gets there, Jerome learns
the university is located in a rough part of town, the competition is fierce,
it has its own high school-type hierarchy, he has competition for Audrey's
affections, and a serial killer is on the loose.
Art School Confidential starts off as
a funny, smart and witty look at this art school subculture and the characters
within it, but falls apart as director Terry Zwigoff and writer Daniel Clowes
search for a plot that can live up to the myriad of funny and quirky
personalities we see in the movie. Minghella is great as the lost soul trying
to define himself and win over his dream woman. Ethan Suplee provides some
of the movie's most hilarious moments as a film student trying to make a
movie about the on campus killings, and Joel Moore matches him laugh for
laugh as the wise guy know-it-all who tries to show Jerome the ropes. Plus,
we can't forget to mention the wonderful performance by John Malkovich as
an instructor who seems to be feeling the strain of a failing career, and
Steve Buscemi as the owner of a nearby café that launches many of
the artists to fame.
However, while the first half of the movie is fantastic,
Art School Confidential is better as
a mockery of the scene than it is as a film and a story. The characters are
hilariously pretentious, insane, judgmental and painfully trying to be above
it all, but Zwigoff has trouble tying it all together with one central story
to keep us interested from beginning to end, even with some awesome dialogue
from Clowes. The love story between Jerome and Audrey is very compelling
as we watch the young man chase the woman of his dreams and cringe as another
man enters the picture, but Zwigoff cheats us out of seeing this plot play
itself out. Maybe he is trying to avoid the typical, cliché romantic
comedy this story lends itself to by never fully committing to it, but seeing
that fully developed without the weaker stories of Jerome trying to find
fame and the chase after the serial killer would have been a better alternative.
Those might be more daring and artistic, but not as interesting, since they
are awkward and forced.
Art School Confidential needs some extra
credit work to make the grade.
2 Waffles (Out Of 4)
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