Back Shelf Beauties
by Willie Waffle

30 Days Of Night 

Why see the same old Saw when you have a chance to see the best and scariest vampires you have seen in a long time? 

Josh Hartnett stars as Eben – the small town sheriff of Barrow, Alaska.  Every year, Barrow becomes a ghost town as many residents evacuate due to a period of time where the sun does not rise for thirty days.  Of course, it turns out there are some who appreciate no sun for thirty days, and they are about to make Barrow the most horrifying place on earth (it becomes a kind of an anarchistic anti-Disney World, or New York City in the 70's).      

Just as the darkness begins, Eben starts to notice a large number of strange crimes like vandalism and dogs being attacked, while electricity and telephone service has been cut off.  We even have a babbling stranger (Ben Foster) warning of impending terror (a classic horror movie device).  And, just when it is starting to get creepy and suspicious, Russian vampires start to attack the residents who stayed!!!!!    

Who will survive?  Can anyone stop these vampires?

Director David Slade does a very good job mixing traditional scary surprises with the type of gore, violence and bloodshed modern horror movie fans appreciate, which makes 30 Days Of Night much better than your usual scary movie.  Slade takes the time necessary to ease us into the horror about to come as the audience’s curiosity builds with each strange occurrence, unidentified noise and quick flash of a figure, even though we know what to expect.  It’s the kind of scary I often opine for as we in the audience find ourselves on the edge of our seats with anticipation and fear at what is in the dark, around the corner or about to pounce from above.

In many ways, it is the way he crafts the vampires into wild animals that makes 30 Days of Night scary and impressive (with that accent, they are either Russian or Klingon, so I’m guessing the intention is to be Russian).  Slade develops the vampires into super strong, vicious, bloodthirsty demons so powerful the audience is left to wonder how the common folk of Alaska could ever overcome the siege (I don’t think kryptonite is going to work!). 

Better yet, Slade gives the audience this impression before we ever see the vampires.  Almost like Spielberg holding back on our first sight of Jaws, Slade has made the villains so dastardly that they would have to be dressed like Bozo the Clown to be a disappointment.

However, Slade does fall prey to some of the modern horror movie problems that plague others these days.  Some of the attack scenes and fight scenes are so out of focus and blurry you can’t really follow what is happening on the screen.  30 Days of Night also loses steam in the middle as we go from action and suspense to plotting the escape and trying to be quiet to avoid becoming Dracula’s midnight snack.  The ending is a bit over the top, but it might have been the writers’ only way to end the movie. 

If you want a good scary movie for the Halloween season, this is it.

2 ½ Waffles (Out of 4)

30 Days Of Night is rated R for strong terror violence and language

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