27
Dresses
Katherine
Heigl stars
as Jane – the bestest friend a friend
could ever have, especially if she is getting married. Jane loves the
pomp and circumstance of weddings so much that she has become the go-to
girl for all of her pals. Specifically, she has been the bridesmaid 27
times. However, time 28 might be her undoing.
Jane is madly in love
with her boss, George (Ed Burns), but can’t find a way to
take the relationship to the next level. On a spur of the moment visit,
Jane’s model-looking sister, Tess (Malin Ackerman), blows
into town, likes what she sees in George, and the two start a torrid
affair leading to a whirlwind courtship and engagement.
Will Jane be able to handle
it when Tess starts living out her
fantasies and asks the sister to be her bridesmaid?
27 Dresses somehow retains some
charm and wins your attention even
though it is a catalogue of every cliché known to
moviegoers. Writer Aline Brosh McKenna and director Anne Fletcher give
us the montage of Jane trying on all 27 bridesmaid’s dresses;
two people fussing, feuding and fighting so much we know they are
destined to fall in love before the final credits roll; unrequited love
driving our hero insane; the big misunderstanding that puts true love
in jeopardy; singing along to a classic rock song; the sassy friend
(played by the always awesome Judy Greer) and
more. However, the acting ensemble makes it all palatable.
Heigl and James Marsden as Kevin - a newspaper’s wedding
reporter who discovers Jane and follows her for a story (and more, if
you
know what I mean, but more in the sweet and lovable way, if you know
what I mean) - have a nice chemistry together that elevates even
the most mundane and predictable of scenes. Heigl, who looks like a
model in her own right, finds a way to make the audience relate to her
as the sadsack
pursuing a love she could never have, while Marsden has a very
intangible likeability I have trouble putting my finger on.
Progressively, in each movie I see him, Marsden gets better and better.
He might not be the star of a 3-hour Oscar-winning epic, but he has
good comic timing, entertaining reactions to the craziness around him
and plays within his abilities without every going too crazy or over
the top. I guess you can say that he gets it, understands his role in
the movie and
realizes what is expected to make the audience happy. Heigl is much the
same as
she handles the physical comedy well enough, picks the right moments to
be zany and chooses the exact right time to show the vulnerability that
will make the audience sympathize with her.
McKenna’s script has some flourishes of strong dialogue as
Kevin and Jane battle it out, and Fletcher delivers a professional,
polished finished product.
27 Dresses is rated PG-13 for
language, some innuendo and sexuality
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